The History of Surrealism (Penguin, 1973); Gérard Durozoi’s monumental

History of the Surrealist Movement (University of Chicago Press, 2002); and the relevant sections of Briony Fer, David Batchelor, and Paul Wood,

Realism, Rationalism, Surrealism: Art between the Wars (Yale University Press, 1993) and Christopher Green,

Cubism and its Enemies (Yale University

الفصل الثاني: «الحياة أفضل»: الترويج للدادائية والسريالية

Aspects of the first two sections were suggested by Debbie Lewer’s essay on mapping Zurich Dada in B. Pichon and K. Riha (eds.),

Dada Zurich: A Clown’s Game from Nothing (New York, 1996); Philip Mann’s

Hugo Ball (University of London, 1987); Annabelle Melzer’s excellent

Dada and Surrealist Performance (Johns Hopkins University Press, 1976); Lewis Kachur’s

Displaying the Marvellous (MIT Press, 2001) and chs. 6 and 7 of Bruce Altschuler’s

نامعلوم صفحہ