The Popular Culture of Modern Art (New Haven and London: Yale University Press, 1994). On

(London: Phaidon, 2002). On the development of Léger’s painting, see Christopher Green,

Léger and the Avant Garde (New Haven and London: Yale University Press, 1976). For a study of technical innovation in the arts, see Christopher Butler,

Early Modernism: Literature, Music and Painting in Europe 1900-1916 (Oxford: Clarendon Press, 1994).

الفصل الثاني: الحركات الحداثية والتقليد الثقافي

On Picasso and Matisse, see Elizabeth Cowling et al. (eds.),

Matisse/Picasso,

exh. cat. (London: Tate Publishing, 2002). On Diaghilev, see for example Lynn Garafola,

Diaghilev’s Ballets Russes (New York and Oxford: Oxford University Press, 1989), and Lynn Garafola and Nancy Van Norman Baier (eds.),

The Ballet Russe and Its World (New Haven and London: Yale University Press, 1999). On the development of cubism, see William Rubin (ed.),

Bog aan la aqoon