Mozart and Posterity,

trans. from the German by R. S. Furness (Boston: Northeastern University Press, 1991). How Mozart has been interpreted, from the eighteenth century through the twentieth .

William Stafford,

The Mozart Myths (Stanford, Calif.: Stanford University Press, 1991). Debunks the myth of foul play, as well as various other myths about Mozart-such as that he was a social reformer or a nationalist .

Dalhousie Review (Summer 1993). Most of the issue’s contents are devoted to papers given at a 1991 symposium titled “Medicine in the Age of Mozart.”

Maynard Solomon,

Mozart (New York: HarperCollins, 1995). A psychoanalytically influenced biography that focuses, quite persuasively, on Mozart’s relationship with his father .

الفصل العشرون

لماذا تخلى فرويد عن نظرية الإغواء؟

ذكر فرويد في قصة حياته التي كتبها بنفسه عام 1925: «لا بد أن أذكر خطأ وقعت فيه لفترة، وربما كان له عواقب وخيمة على كل أعمالي.»

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