and Revolutionaries (New York and Oxford: Oxford University Press, 1985), 113.

Diana Crane,

The Transformation of the Avant-Garde: The New York Art World, 1940-1985 (Chicago: Chicago University Press, 1987), 1.

Notably in his essays 'Modernist Painting’ (1961) and 'After Abstract Expressionism’ (1962), rpt. in Charles Harrison and Paul Wood (eds.),

Art in Theory 1900-1990 (Oxford: Blackwell, 1992).

Derek B. Scott, 'Introduction’, in Derek B. Scott (ed.),

Music, Culture and Society (Oxford: Oxford University Press, 2000), 11.

Grosz, cit. Beth Irwin Lewis,

Georg Grosz: Art and Politics in the Weimar Republic (New Jersey: Princeton University Press, 1991), 53.

Grosz, cit. Hans Hess,

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