Jacques Lacan and Co , and for Krauss’s women-under-construction argument see Rosalind Krauss and Jane Livingston,

L’Amour Fou,

ch. 2. For Susan Rubin Suleiman see her

Subversive Intent (Harvard University Press, 1991), chs. 1, 7. Recent essays on Claude Cahun and Frida Kahlo appear in Whitney Chadwick (ed.),

Mirror Images: Women, Surrealism and Representation (MIT Press, 1998). For the Baroness see the biography

Baroness Elsa , by Irene Gammel (MIT, 2002). For masculinity in Surrealism see my 'Male Shots’,

Tate: The Art Magazine,

26 (Aug. 2001). On Duchamp as Rrose Sélavy see Amelia Jones,

En-Gendering of Marcel Duchamp (Cambridge University Press, 1994), ch. 5, and my 'Men Before the Mirror: Duchamp, Man Ray and Masculinity’,

Art History,

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