André Masson (Museum of Modern Art, New York, 1976); and David Sylvester,

Magritte (South Bank Centre, London, 1992). For Surrealist photography see Rosalind Krauss and Jane Livingston,

L’Amour Fou: Photography and Surrealism (Abbeville, 1985). For the Surrealist object and fetishism see Dawn Ades, 'Fetishism’s Job’, in A. Shelton (ed.),

Fetishism: Visualising Power and Desire (South Bank Centre, London, 1995) and for Meret Oppenheim, see Edward D. Power, 'These Boots Ain’t Made for Walking’,

Art History,

24/3 (June 2001). On film see A. L. Rees,

A History of Experimental Film and Video (British Film Institute, 1999); Rudolf Kuenzli (ed.),

Dada and Surrealist Film (William Locker &; Owens, 1987); and Linda Williams,

Figures of Desire (University of California Press, 1981). For Fredric Jameson see his

Marxism and Form (Princeton University Press, 1971), pp. 95-106.

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